In the late 1960’s, Coca Cola spread out a huge amount of birdseed in St. Mark’s Square in the shape of their logo. It was immediately covered/consumed by 100’s of pigeons who clearly spelled out the Coca Cola logo, the aerial publicity photo was taken and it remains a very famous/infamous piece of advertising today.
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Coca-Cola St Marc's square in Venice 1960s
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The profit line 1959
It’s the bottler of Los Angeles announcement in the newspaper with a wholesale price list.
Bar-b and Bubble-up brands also belongs to Coca-Cola.
This newspaper ad from 1951 years is really weird, someone was selling ice cold Coca-Cola for 7 cents and getting 2 cents more than the rest of the country.
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Newspaper ad from 1951, Coca-Cola for 7 cents
Maybe this somehow related to these ads from 1947 and 1949, where was 2 cents wartime tax included or maybe not…
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1947 Coca Cola advertisement. Illustrated in vibrant color. Includes 2¢ wartime tax special pricing.

1949 Coca Cola advertisement. Illustrated in vivid color at the seaside with an ice cooler below. Price still included the 2¢ wartime tax.
Gil Elvgren – a student of Haddon Sundblom, Elvgren is perhaps best known for drawing and painting pin-up girls. His style was so similar to Sundblom’s that he could finish paintings that his mentor had started. Working with Sundblom Gil Elvgren contributed to various Coca-Cola ads himself.
The first advertising artwork for Coca-Cola that Elvgren worked on was in 1939. It is a scene of a pilot and a flight attendant in an airport snack bar having a Coca-Cola with a plane flying past the window behind them.
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"Take of... refreshed" 1939 by Gil Elvgren
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"The Pause That Refreshes" 1939 by Gil Elvgren

"Home refreshment" 1944 by Gil Elvgren
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Nice old photo of drug store with Coca-Cola signs from 1920
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Coca-Cola Fountain Car, 1930's
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Coca Cola Truck 1930's 2 Ladies with Handy 6 pack
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Coca Cola Truck 1930's Featuring the Handy 6 Pack
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
Coca-Cola: for Santa 1950
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The Coca-Cola Santa Claus artwork from 1951 shows Santa reading a list of good boys and girls; there is no list of bad children.
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Coca-Cola for sparkling holidays 1953
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Although many credit our modern day Santa to Thomas Nast, Santa’s jolly look all started in 1931 with Haddon Sundblom and Coca-Cola.
Legendary illustrator Haddon Sundblom created the rosy-cheeked figure – today’s traditionally accepted appearance of the jolly old elf – in 1931 for a Coke holiday advertising campaign. Since that time, the Coca-Cola Santa has become one of the most beloved cultural icons and an anticipated part of holiday tradition.
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My hat's off to the pause that refreshes 1931
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It will refresh you too 1932
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Away with a tired thirsty face 1933
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Coca-Cola advertising clock Circa 1893
Coca-Cola began advertising its products on clocks in 1893, when such novelty advertisements were increasingly common.
Coke would distribute branded clocks to sellers who bought and sold at least 100 gallons of Coca-Cola syrup per year. The first Coca-Cola clocks were made by the Baird Clock Company of Plattsburgh, New York, and had big, round faces with Roman numerals.
At $2.75 each, clocks were relatively expensive to produce, but Coca-Cola made the investment knowing that, because of their usefulness, advertising clocks would stay on display in a store long after posters or other items had been discarded.
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1932 Coca-Cola Uncle Remus Cutout That Sparked Copyright Lawsuit
In 1932, the Coca-Cola Company issued a children’s cutout based on the Uncle Remus stories. The Company had negotiated rights with the publisher, Appleton, to use the Arthur Frost illustrations on the advertising. Mrs. Harris sued for copyright infringement. Ultimately, the courts ruled in favor of the Company. While Mrs. Harris had the rights to the stories, the illustrations belonged to the publisher.